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Beverage Photography - The Basics

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FROM SUMPTUOUS Barista-style coffee and glass-chilled cocktails to high-speed splashes and the allure of mouth-watering 20-year-old Scotch on the rocks, the art of great beverage photography is an area of expertise all of its own. Very highly attention on detail for lighting, composition and technique make it just as much, if not more, of a creative discipline than photographing its dry counterpart. In fact, we could probably fill a book with all you need to know, so we’ll have to suffice with the basics. As you’d expect, and as we’ve already mention, lighting is crucial when it comes to food and especially beverage photography. Backlighting, natural lighting, a multiple studio flash set-up, lighting to eliminate or at least minimise reflections in the glass is something helps create a smooth image that doesn’t distract from what you want to convey. Sometimes the reflections add to the appeal and atmosphere, but for those where it doesn’t, experiment with using black card to

Tips for first time buy DSLR

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Moving up from a basic compact camera or smartphone to a DSLR creates a whole new range of photographic possibilities. Not only will a more advanced camera offer you increased control over the settings you use, but with easy know-how, you’ll be ready to achieve creative effects such as long exposures and blurry backgrounds. Of course, this added functionality means extra buttons and dials that may seem pretty alien to you when you first pick up the camera... Start in auto mode Our advice would be to start in full auto mode, which is usually marked by a green square on the main mode dial. In this mode, your camera will behave like a point-and-shoot compact and you won’t have to worry about settings. Next, move on to ‘P’ mode, which is similar except you’ll be able to change the balance between shutter speed and aperture and turn off the flash. Once you become more familiar with the camera, you can move on to the semi-automatic and manual modes. Let’s take a look at what some of

The best way to store your images

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Before the digital age, photographs were stored either as negatives, slides or prints. They were physical things that would be lost or physically destroyed. In terms of digital, images are a watery mix of virtual 1s and 0s that can be erased or corrupted in the blink of an eye. Dropped a 1TB hard drive on the floor by accidentally, you could be saying goodbye to over 30,000 images in one go. And there is one else, no one really knows how long it will last. 20 years? 50 years? They haven’t been around long enough for us to find out yet...   This means the photographer in this digital age has to consider file storage very carefully. Today, there are now several different affordable storage options on the market, which, when used in combination, should help you safeguard your photos for many years to come. In this article, you will take a closer look at the four main types. We recommend you keep three copies of everything, with images saved across two different types of storage

Panasonic Lumix GF7 - Value meets quality

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Panasonic has been a leading pioneer in the mirrorless interchangeable lens camera market ever since it released the world’s first CSC back in 2008. One of its most successful models to date has been the GF6 – a compact and stylish entrylevel camera boasting an attractive price-tag. Panasonic is updating the 2-year-old GF6 with the GF7, which sports a signifi cantly different look owing to its retro-styling, leather-touch grip and more chiselled body. At the heart of the camera is a 16MP Live MOS Micro Four Thirds sensor, the same size as the ones found in all Panasonic and Olympus CSC models. However, it’s not exactly the same sensor as the one found in its predecessor. In fact, the GF7 inherits the more advanced GX7’s sensor, as well as its Venue Engine image processor. Main features On the back of the camera there’s a 3in 1040k-dot touchscreen, which is an identical size and resolution to the one on the GF6. The screen tilts upwards for easier shot composition

Create Citrus Balloon photoshoot

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If the weather’s too bad to venture outside, then grab some colourful fruit and brighten up your day with an indoor shoot.  If you can find some blue dye and old plywood backgrounds to makeover. The vibrant color is inspiring for creating joyful image. This is the base element for citrus balloons creation. Go grab some fruit in your house such as oranges and lemon. Cut it them a half and arange them on the background so that the look like a bunch of balloons. Then removed the fruit and glued a few pieces of rope to the background, adding the fruit back into the scene with the addition of a few kumquats and green leaves. Setup your lighting that consist of flashgun positioned top-right of the image and reflector top-left. Placed the camera on a tripod above the setup, held the ends of the rope in one hand, and took the shot with your free hand. You can use self-time, however it was quite easy to press the shutter in this small project scenario. Place your fruit roughly

CSC (Compact System Camera)

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A CSC, aka a compact system camera (or sometimes a mirrorless interchangeable-lens camera), is essentially a hybrid between a DSLR and a compact. As a general rule, they tend to boast the shape, size and weight of a compact, and don’t have a bulky internal mirror mechanism, but they have the advanced functionality of a DSLR, including the ability to change lenses. Essentially, they’re designed to be the best of both worlds, and are aimed at photographers who want full control over their camera’s key settings without having to carry around hefty bodies and lenses. However, in recent years those lines have blurred somewhat, and many advanced CSCs are very similar in shape and size to entry-level DSLRs. Similarly, at the lower end of the market, some very basic CSCs are now exceptionally similar to a compact, with many having abandoned a viewfinder altogether.  The first ever CSC, Panasonic’s G1, was released in 2008, although there were a couple of CSC-like cameras in the years

Tips for your camera gear safety

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Having your photo kit stolen is the stuff of nightmares. If you’ll love your camera like a child, and would have to endure a roller coaster ride of disbelief, denial, bargaining, guilt, anger and depression before you could accept it was really gone. So it’s well worth doing everything possible to protect, what is for most of us, a considerable financial investment that would be very difficult to replace. Unfortunately, many photographers lose kit because of a simple lack of common sense. For example, they might leave their kit bag open on the floor of a busy street while taking a shot in the opposite direction. Or they might leave it unattended in a bag on the beach while they have a quick dip. So it’s worth training yourself to think defensively when you’re out shooting. Can anyone get into my bag without me noticing? Am I in a dodgy area where I could be mugged? Is this hotel room really secure? But there are some